It's amazing this still has to be spelt out. What more do 'liberal' governments need to do for people to realise that governments are about power, the survival of their own kind and the cynical manipulation of public opinion, and that genuine concern among the power elite for human rights and liberal ideals is already history?davidhare wrote:Well I live in sunny Australia, best bumfuck of Bush and buddy Tony Blair and here a a few of my favorite things:
we have concentration camps out in the desert for asylum seekers (including women and children) where these people rot for years on end out of the public view;
we've effectively abolished freedom of information by classifying everything under "Cabinet Confidentiality";
but it doesn't really matter because the press is almost totally controlled by Murdoch and the rest of it's inconsequential so it's completely tame anyway;
every time there's an election the presiding government plays wedge politics by throwing out the usual scaries about "illegal boat people", dirty Muslims, or - uhh - gay marriage and family values;
in the same breath it's enriching Fundy Christians with the most powerful wealth transfer ever seen in this country, handing over giant slabs of public education and what used to be a model Universal Medicare health system to these tax sheltered parasites;
oh I nearly forgot they brought back some 18th century Sedition laws, so when I call Howard a cunt I'm committing a criminal offence. Far more seriously they are throwing people in jail as "terrorists" after snooping on their emails and personal lives for expressing views hostile to this regime.
Honey open your eyes. This shit is all around you. It's called government by business. And phony wars run for cunts like Cheney and Halliburton. And only profit matters. Just keep feeding the drones consumption. Whatever this movie's worth (it opened and closed her last November) thak god somebody's getting the message out.
Children of Men
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- Le Feu Follet
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The United States of America. Do you read anything else on the net other than this site?Huh? Where on earth do you live??
Sing Out Louise!!!It's amazing this still has to be spelt out. What more do 'liberal' governments need to do for people to realise that governments are about power, the survival of their own kind and the cynical manipulation of public opinion, and that genuine concern among the power elite for human rights and liberal ideals is already history?
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Here's precisely why Children of Men is a documentary.
- Barmy
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Thanks, angry lefties, for providing me with the laugh of the day. To even begin to compare CoM to current reality, or think it is even a remotely plausible scenario within the next 20 years (or ever) is silly, and an insult to the Brits. If nothing else, I recall that one of the fugees being treated in a Ghraiblike manner was Czech, and that is just beyond implausible.
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damn, they had me convinced. i had already thrown away my GF's birthcontrol...Barmy wrote:Thanks, angry lefties, for providing me with the laugh of the day. To even begin to compare CoM to current reality, or think it is even a remotely plausible scenario within the next 20 years (or ever) is silly, and an insult to the Brits. If nothing else, I recall that one of the fugees being treated in a Ghraiblike manner was Czech, and that is just beyond implausible.
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- Steven H
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My God, someone insulted Britain? The nerve. Not to get too off topic here, but isn't it funny how isolationism and exceptionalism keep switching hands between the right and left? CoM seems to posit that Britain, under "duress", has resorted to an extreme of both, but even the european left has only recently given a little way towards flexible borders, and it's becoming politically mainstream in Britian to not think it's the center of the universe. A curious situation, but unlike in the US, which is where the real aim of the film comes down, and despite the relatively new and strict work Visa situation, Cuaron doesn't seem that interested in the UK. Another shot at fans of the book, that he would use it as a springboard to discuss the politics of a completely different country.Barmy wrote:Thanks, angry lefties, for providing me with the laugh of the day. To even begin to compare CoM to current reality, or think it is even a remotely plausible scenario within the next 20 years (or ever) is silly, and an insult to the Brits. If nothing else, I recall that one of the fugees being treated in a Ghraiblike manner was Czech, and that is just beyond implausible.
A Czech surely *can* be tortured, unless invincibility is within reach of their race. Many people thought we saw the last of White People Genocide until Bosnians started piling up in mass graves a while back. Just be glad you don't live in Baghdad, where you're in the middle of a violent civil war AND oppressive occupation (not to mention the lawlessness spread out over Asia and Africa of late, CoM might hit a little close to home for these people). Enough preachiness from me (I'm left-wing *and* preachy, hold the phone.)
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Edit: SPOILERS!
I really wanted to like Children of Men and although I certainly didn't dislike it did take a few clumsy miss-steps.
The first 10 minutes are breathtaking in their execution. The cafe scene and the aftermath of baby Diego giving way to an overwhelming feeling of sadness as Theo returns to his office where his fellow workers are unable to absorb what is happening. The sense of melancholy, decay and impending extinction is tangible. The look and feel of Children of Men is exactly how V For Vendetta should have, but didn't look and feel.
The long takes are of course majestic.
Then there are lots of nice touches:
There are no new cars, because there is no point in making them.
The reveal (when they go straight to Jasper's hidden house) that the fishes were not lying when they told Theo they had been following him.
The tune that Jasper is listening to at first would be from when he was young man.
Sid's inability to refer to himself as me or I.
The problems?
Lots of stodgy exposition with Julian.
Jasper's death which was shamelessly used for shock value (and wouldn't it have been an idea to interrogate him first?).
An unnecessary and stodgy bit of exposition from Farris and her experiences on a maternity ward.
The police/army letting the first child born for 18 years walk away when distracted by a couple of fishes. I'm guessing that Cuaron was making some point about the police being more interested in fighting than the possible survival of the human race, but following on from scenes where the police were dropping to their knees and crossing their chests it either didn't work or at best, jarred.
Worst of all Chiwetel Ejiofor is not given enough to do! The film would have worked better for me had he and Owen played each others parts. Ejiofor is a better actor with a more likeable screen presence.
And I'm poitically dead centre with leanings to the extreme right and left.
I really wanted to like Children of Men and although I certainly didn't dislike it did take a few clumsy miss-steps.
The first 10 minutes are breathtaking in their execution. The cafe scene and the aftermath of baby Diego giving way to an overwhelming feeling of sadness as Theo returns to his office where his fellow workers are unable to absorb what is happening. The sense of melancholy, decay and impending extinction is tangible. The look and feel of Children of Men is exactly how V For Vendetta should have, but didn't look and feel.
The long takes are of course majestic.
Then there are lots of nice touches:
There are no new cars, because there is no point in making them.
The reveal (when they go straight to Jasper's hidden house) that the fishes were not lying when they told Theo they had been following him.
The tune that Jasper is listening to at first would be from when he was young man.
Sid's inability to refer to himself as me or I.
The problems?
Lots of stodgy exposition with Julian.
Jasper's death which was shamelessly used for shock value (and wouldn't it have been an idea to interrogate him first?).
An unnecessary and stodgy bit of exposition from Farris and her experiences on a maternity ward.
The police/army letting the first child born for 18 years walk away when distracted by a couple of fishes. I'm guessing that Cuaron was making some point about the police being more interested in fighting than the possible survival of the human race, but following on from scenes where the police were dropping to their knees and crossing their chests it either didn't work or at best, jarred.
Worst of all Chiwetel Ejiofor is not given enough to do! The film would have worked better for me had he and Owen played each others parts. Ejiofor is a better actor with a more likeable screen presence.
I'm a Brit and I'm not insulted by the events depicted here. Given the current climate in Britain these events seem plausible *if* a major event such as mass infertility were to occur.Barmy wrote:To even begin to compare CoM to current reality, or think it is even a remotely plausible scenario within the next 20 years (or ever) is silly, and an insult to the Brits.
Racism on the scale seen here has nothing to do with race or colour (it rarely does). It is a means for the people in power to keep the majority content by giving them an artificial scapegoat for all their problems.Barmy wrote:If nothing else, I recall that one of the fugees being treated in a Ghraiblike manner was Czech, and that is just beyond implausible.
And I'm poitically dead centre with leanings to the extreme right and left.
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Good post, Napoleon. I can't quite agree about Jasper's death. The fact thast they don't interrogate him only goes to show how batshit crazy things have become.
The song he listens to is "Ruby Tuesday" from the Stones' epochal Between the Buttons album (thus connecting this film with The Royal Tenenbaums.)
Not quite sure about "stody exposition" either because, to my mind, the film depicts a series of events that just keep popelling forward almost spontaneously. Yes there are "reasons" why tings are happening, but Curaon shows wha it's like to live -- and die -- in the moment.
The song he listens to is "Ruby Tuesday" from the Stones' epochal Between the Buttons album (thus connecting this film with The Royal Tenenbaums.)
Not quite sure about "stody exposition" either because, to my mind, the film depicts a series of events that just keep popelling forward almost spontaneously. Yes there are "reasons" why tings are happening, but Curaon shows wha it's like to live -- and die -- in the moment.
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The problem I had is that Jasper is made to be such a sympathetic character for the audience and his death is so irrational and cold-blooded that I couldn't help but feel manipulated.David Ehrenstein wrote:I can't quite agree about Jasper's death. The fact thast they don't interrogate him only goes to show how batshit crazy things have become.
You are probably correct about the batshit aspect.
There is quite a nice feint where Cuaron uses the suicide pack to make us think that Jasper will kill himself. As he doesn't when we see him outside we are led to believe that he will survive. It nearly works.
I was referring to the cover of "Hush" by Kula Shaker (shudders), sorry should have mentioned this specifically.David Ehrenstein wrote:The song he listens to is "Ruby Tuesday" from the Stones' epochal Between the Buttons album (thus connecting this film with The Royal Tenenbaums.)
Perhaps subsequent viewings will reveal this to me. I accept that my first opinion of a film is not my final opinion.David Ehrenstein wrote:Not quite sure about "stodgy exposition" either because, to my mind, the film depicts a series of events that just keep propelling forward almost spontaneously. Yes there are "reasons" why things are happening, but Curaon shows what it's like to live -- and die -- in the moment.
I'd like to add that after making some (but not all) dreadful films through the 80's/90's that it is good top see Caine reinventing himself as a reliable supporting character actor. He seems to be really enjoying his work again.
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Napoleon wrote:The problem I had is that Jasper is made to be such a sympathetic character for the audience and his death is so irrational and cold-blooded that I couldn't help but feel manipulated.
SpoilerShow
i don't think it was too irrational as everyone who tried to help the woman with the baby had to die.
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Indeed. In some recent interviews he's made it clear that he enjoys playing juicy supporting roles like this rather than being forced to carry a entire picture as its star. He's been there, done that."it is good top see Caine reinventing himself as a reliable supporting character actor. He seems to be really enjoying his work again."
- toiletduck!
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- miless
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why can't Helen Keller drive?toiletduck! wrote:Should I ever find myself needing to fly Qantas, they had best be prepared for a smattering of Helen Keller jokes whilst in the air.A Qantas representative wrote:Whether made verbally or on a t-shirt, comments with the potential to offend other customers ... will not be tolerated
-Toilet Dcuk