zedz wrote:Hey swo, when you're settled back in the country, would it be possible to do a "passion-ranking" of this latest all-time list along the lines of what you did to get the short-list for this project in the first place? i.e. what the results look like if we just counted everybody's top ten.
Why wait?
01. The Apartment (Billy Wilder, 1960)
74/13/1(x2)/+1
02. 2001: A Space Odyssey (Stanley Kubrick, 1968)
67/10/1/+1
03. Vertigo (Alfred Hitchcock, 1958)
47/10/2(x2)/-2
04. Sherlock Jr. (Buster Keaton, 1924)
46/9/1(x2)/+5
(tie) The Man with the Movie Camera (Dziga Vertov, 1929)
46/7/1(x2)/+7
06. Celine and Julie Go Boating (Jacques Rivette, 1974)
44/6/1(x2)/+15
07. Rear Window (Alfred Hitchcock, 1954)
42/9/1/-3
08. PlayTime (Jacques Tati, 1967)
40/6/1(x2)/0
09. Mulholland Dr. (David Lynch, 2001)
39/6/2/-4
10. To Be or Not to Be (Ernst Lubitsch, 1942)
38/6/2/+3
(tie) La Passion de Jeanne d'Arc (Carl Dreyer, 1928)
38/7/1/-3
12. Sweet Smell of Success (Alexander Mackendrick, 1957)
36/8/2/-2
(tie) Stalker (Andrei Tarkovsky, 1979)
36/6/2(x2)/+17
14. Apocalypse Now (Francis Ford Coppola, 1979)
34/6/3(x3)/+9
15. Mirror (Andrei Tarkovsky, 1974)
33/5/2(x2)/+49
16. The Rules of the Game (Jean Renoir, 1939)
30/7/3/-10
(tie) Citizen Kane (Orson Welles, 1941)
30/6/4(x2)/-1
(tie) The Godfather (Francis Ford Coppola, 1972)
30/5/2(x2)/+9
(tie) Marketa Lazarová (František Vláčil, 1967)
30/4/1/+8
20. Tokyo Story (Yasujirō Ozu, 1953)
29/5/2/+19
21. Persona (Ingmar Bergman, 1966)
28/6/3/-9
(tie) Paris, Texas (Wim Wenders, 1984)
28/4/1/+42
(tie) The Godfather Part II (Francis Ford Coppola, 1974)
28/5/4/+15
24. Seven Samurai (Akira Kurosawa, 1954)
27/4/1/-6
(tie) The Third Man (Carol Reed, 1949)
27/5/3(x2)/-10
(tie) The Red Shoes (Michael Powell & Emeric Pressburger, 1948)
27/4/2/+17
(tie) It's a Wonderful Life (Frank Capra, 1946)
27/5/3(x3)/+12
(tie) Once Upon a Time in the West (Sergio Leone, 1968)
27/3/1/+51
(tie) L'eclisse (Michelangelo Antonioni, 1962)
27/3/1/+56
(tie) Notre musique (Jean-Luc Godard, 2004) 27/3/1/+106
31. Ordet (Carl Dreyer, 1955)
26/6/1/-9
(tie) Chungking Express (Wong Kar-wai, 1994)
26/7/3/-4
33. Chinatown (Roman Polański, 1974)
25/6/2/-14
(tie) Lawrence of Arabia (David Lean, 1962)
25/4/1/+17
(tie) Three Colors: Red (Krzysztof Kieślowski, 1994)
25/3/1/+47
36. The Night of the Hunter (Charles Laughton, 1955)
24/7/4/-20
(tie) A Canterbury Tale (Michael Powell & Emeric Pressburger, 1944)
24/4/1/+21
(tie) Rebel Without a Cause (Nicholas Ray, 1955)
24/5/5(x2)/+11
(tie) Rio Bravo (Howard Hawks, 1959)
24/4/1/+40
(tie) The Roaring Twenties (Raoul Walsh, 1939)
24/4/1/+57
41. Barry Lyndon (Stanley Kubrick, 1975)
23/3/1/+2
(tie) The Royal Tenenbaums (Wes Anderson, 2001)
23/4/1/-5
43. Psycho (Alfred Hitchcock, 1960)
22/4/2/-26
(tie) The Life and Death of Colonel Blimp (Michael Powell & Emeric Pressburger, 1943)
22/4/1/+2
(tie) 8½ (Federico Fellini, 1963)
22/3/1/+29
(tie) Yi yi (Edward Yang, 2000)
22/4/2/+41
47. The General (Buster Keaton & Clyde Bruckman, 1926)
21/3/3/-27
(tie) Blue Velvet (David Lynch, 1986)
21/3/1/-19
(tie) Contempt (Jean-Luc Godard, 1963)
21/5/1/+21
(tie) Rushmore (Wes Anderson, 1998)
21/3/3(x2)/+35
(tie) Solaris (Andrei Tarkovsky, 1972)
21/4/3/+15
52. The Young Girls of Rochefort (Jacques Demy, 1967)
19/3/2/-22
(tie) A Brighter Summer Day (Edward Yang, 1991)
19/4/1/+19
(tie) The Shining (Stanley Kubrick, 1980) 19/3/2/+54
(tie) Alice (Jan Švankmajer, 1988) 19/3/2/+50
56.
Modern Times (Charles Chaplin, 1936) 18/3/2/+71
(tie) Punch-Drunk Love (Paul Thomas Anderson, 2002) 18/3/2/+77
(tie) Pee Wee's Big Adventure (Tim Burton, 1985) 18/3/2/+92
(tie) The Docks of New York (Josef von Sternberg, 1928) 18/3/4/+99
(tie) Walking from Munich to Berlin (Oskar Fischinger, 1927) 18/2/1/+107
61. La Grande Illusion (Jean Renoir, 1938)
17/2/1/-26
(tie) Sans soleil (Chris Marker, 1983)
17/3/2/+4
(tie) Touch of Evil (Orson Welles, 1958)
17/4/4/+27
(tie) The Thin Red Line (Terrence Malick, 1998)
17/2/1/+16
(tie) Ivan the Terrible (Sergei Eisenstein, 1944/6) 17/4/2/+52
(tie) That Obscure Object of Desire (Luis Buñuel, 1977)
17/4/5(x2)/+38
67. Casablanca (Michael Curtiz, 1942)
16/4/4/-36
(tie) Sunrise (F.W. Murnau, 1927)
16/4/4/-19
(tie) The Battle of Algiers (Gillo Pontecorvo, 1965)
16/5/5(x2)/-28
(tie) The Searchers (John Ford, 1956)
16/4/6(x2)/-15
(tie) Nashville (Robert Altman, 1975) 16/2/2/+48
(tie) Les Quatre Cents Coups (François Truffaut, 1959)
16/3/3/+19
(tie) Strangers on a Train (Alfred Hitchcock, 1951) 16/2/3(x2)/+95
(tie) Three Colors: Blue (Krzysztof Kieślowski, 1993) 16/2/1/+167
75. Pierrot le fou (Jean-Luc Godard, 1965)
15/4/2/-42
(tie) North by Northwest (Alfred Hitchcock, 1959)
15/2/1/+24
(tie) Love Me Tonight (Rouben Mamoulian, 1932) 15/3/2/+26
(tie) Moonrise Kingdom (Wes Anderson, 2012)
15/3/3/+8
(tie) In a Lonely Place (Nicholas Ray, 1950) 15/3/1/+29
(tie) McCabe & Mrs. Miller (Robert Altman, 1971) 15/3/2/+49
(tie) Breathless (Jean-Luc Godard, 1960) 15/2/1/+58
(tie) Brazil (Terry Gilliam, 1985) 15/2/1/+97
(tie) Beau travail (Claire Denis, 1999) 15/2/2/+108
84. Taxi Driver (Martin Scorsese, 1976)
14/3/1/-50
(tie) Bride of Frankenstein (James Whale, 1935)
14/3/4/+12
(tie) Close-Up (Abbas Kiarostami, 1990)
14/2/1/+2
(tie) L'avventura (Michelangelo Antonioni, 1960)
14/3/5(x2)/+5
(tie) Rome, Open City (Roberto Rossellini, 1945) 14/3/4/+60
89.
Pickpocket (Robert Bresson, 1959) 13/2/2/+43
(tie) Ladri di biciclette (Vittorio De Sica, 1948) 13/2/1/+98
91. The Good, the Bad and the Ugly (Sergio Leone, 1966)
12/3/5/-32
(tie) Manhattan (Woody Allen, 1979)
12/2/3/-6
(tie) Sátántangó (Béla Tarr, 1994) 12/4/5/+42
(tie) Nosferatu (F.W. Murnau, 1922) 12/2/2/+18
(tie) The Seventh Victim (Mark Robson, 1943) 12/2/2/+149
(tie) Inferno of First Love (Susumu Hani, 1968) 12/2/4/+165
97. Days of Heaven (Terrence Malick, 1978)
11/4/4/-55
(tie) City of Pirates (Raúl Ruiz, 1983)
11/2/5/-2
(tie) Battleship Potemkin (Sergei Eisenstein, 1925) 11/2/3/+75
100. M (Fritz Lang, 1931)
9/3/7(x2)/-50
(tie) Unforgiven (Clint Eastwood, 1992) 9/2/5/+40
(tie) Charulata (Satyajit Ray, 1964) 9/2/6/+149
103. The Conversation (Francis Ford Coppola, 1974)
8/2/7(x2)/-37
(tie) The Wages of Fear (Henri-Georges Clouzot, 1953)
8/3/6/+16
105. City Lights (Charles Chaplin, 1931)
6/2/7/-44
(tie) Dr. Strangelove (Stanley Kubrick, 1964)
6/2/7/-1
107. Spirited Away (Hayao Miyazaki, 2001)
5/2/8/+36
(tie) Goodbye to Language (Jean-Luc Godard, 2014)
5/2/7/+155
Casualties:
26. Last Year at Marienbad (Alain Resnais, 1961)
309/12(1)/1
32. Alien (Ridley Scott, 1979)
277/11(1)/5
43. A Man Escaped (Robert Bresson, 1956)
257/10/11
46. Dekalog (Krzysztof Kieślowski, 1988)
255/10(1)/3
48. Double Indemnity (Billy Wilder, 1944)
253/10(1)/10
52. Late Spring (Yasujirō Ozu, 1949)
246/10/15
(tie) Do the Right Thing (Spike Lee, 1989)
246/10/12
55. L'Atalante (Jean Vigo, 1934)
244/9(1)/7
56. Out of the Past (Jacques Tourneur, 1947)
241/10/11
58. Trouble in Paradise (Ernst Lubitsch, 1932)
234/9(1)/10
60. In the Mood for Love (Wong Kar-wai, 2000)
232/9(1)/2
66. Metropolis (Fritz Lang, 1927)
217/8(1)/4
69. My Neighbor Totoro (Hayao Miyazaki, 1988)
215/9(1)/4
70. Bringing Up Baby (Howard Hawks, 1938)
214/9(1)/1
73. Daisies (Věra Chytilová, 1966)
205/8(1)/3
74. Fanny and Alexander (Ingmar Bergman, 1982)
202/6(1)/8
78. The Best Years of Our Lives (William Wyler, 1946)
196/8(1)/6
79. La Jetée (Chris Marker, 1962)
193/8/15
89. Andrei Rublyov (Andrei Tarkovsky, 1966)
176/5(1)/2
(tie) Phantom of the Paradise (Brian De Palma, 1974)
176/6(1)/7
92. Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975)
173/7/11
93. The Tree of Life (Terrence Malick, 2011)
172/6(1)/1
96. Stagecoach (John Ford, 1939)
170/6(1)/5
(tie) Pather Panchali (Satyajit Ray, 1955)
170/10(1)/6